Sunday, September 11, 2016

Education Wars


Public education in the US is and has long been a costly political and social battleground. Now a Connecticut judge has ruled that state’s public school funding system is so flawed as to be unconstitutional and the warring parties need to start over. Across the nation, state and local governments fiercely wage budget battles over what education to provide multitudes of students who never seem to match up to hotly debated national standards.

Back in the day, when America was presumably at the peak of greatness, public school was a life lesson in sink or swim. If a boy or girl didn’t measure up by the time they were 16, they were unceremoniously pushed out into the world. Earlier generations often didn’t get into high school. My grandfather Alfred, around 1912, left school after the 8th grade to work on the family farm.

Yet he got a good education for an era when knowing how to handle horses and wagons, planting and harvesting were essential skills. His country schoolhouse teachers instilled a sturdy foundation in reading, writing and arithmetic—and a life-long sense of curiosity and civic duty. An early Boy Scout leader, he worked as a machinist and as a building custodian at Cornell University and was elected president of the local school board.

Before the 19th century American experiment in providing primary schools for farmers and workers’ children, there was the British version of schooling, which educated only the sons of the elite. Back in the time of Shakespeare and such, education was a rough and tumble sport.

“The cane cuts as precisely as the Latin declensions. I do not, will not, cry out,” wrote John Aubrey, a polished product of the 17th century British system, as recounted in a recently published book about his life and times. “Hic, haec, hoc: more brutal blows, less precisely aimed, but still the same rhythm. It is the grammar and rhetoric of violence.”

The American version in the 20th century was administered in military boot camp or military prep schools—where teenage boys who were too rambunctious were herded by judges, school administrators and families. It was a system, designed to quickly train and field an army in World War I, widely acclaimed to make boys into men.

I’m a product of that system, volunteering for Army duty at 19, when college proved too boring. In basic training, I encountered a fascinating assortment of high-spirited young men from every part of America, who were uniformly bulled by drill instructors to master the details of close order drill, field marching, rifle shooting, grenade throwing, gas mask fumbling in a closed chamber full of tear gas, and, most of all, unquestioning obedience to orders, in a six-week endurance course to become soldiers.

Bowing to complaints from politicians and parents that far too many American children don’t measure up to the demands of modern times, many school districts have been lured by the military model, turning over the education of American citizenship to ROTC programs run by the Army, Air Force, Marines and Navy.

Meanwhile, legions of young men and women who served in the US military during America’s high priority “war on terror,” over the past 15 years, have had a hard time finding decently paid civilian jobs, despite all their military training and war time experience.

Less seldom discussed in the current climate of disparaging the public school system is a model that actually works, without Common Core hype, testing hysteria or coercion.

In a recent cover story titled “Ordinary Families. Extraordinary Kids,” Time Magazine profiled nine families who raised children who’ve excelled in a number of fields, from the arts to public service. The thing that worked: these kids were encouraged by parents and teachers to engage in and learn from the world around them.

“Tan and Maya Lin grew up on a university campus” where they were allowed by their parents “to do practically anything they wanted,” Time reported of the designer of the Vietnam Veterans Memorial in Washington, DC, and her sister, an author of 12 books.

The Lin sisters spent a lot of time playing outdoors, writing poetry and making clay art works in the university ceramics studio; they attended “a high school with an open-module system, which meant that sometimes they went to class only two days a week,” Time noted.

Another common theme in the families profiled by Time: political activism. Many of these parents “were outspoken in their demands for reform in cities, schools and housing complexes…When they weren’t pushing for reform, they were mediating heated political debates at home.”

“If we did not go with her to a particular protest, that protest was brought home,” Chicago Mayor Rahm Emanuel said of his mother, Marsha. “Just eating dinner was a test of current events.” Another son, Zeke, is a bioethicist at the University of Pennsylvania who helped draft the Affordable Care Act. Russell Simmons, co-founder of Def Jam Recordings, said of his father, Daniel, a New York City school-attendance supervisor and civil rights activist: “He respected what you learned in the culture in the street.”


Wednesday, August 24, 2016

Thomas (Stewart) Nusbaumer, RIP


Stewart Nusbaumer on assignment in Iraq


Tom Nusbaumer, a veteran activist on numerous campaigns, died recently. And so did his restless, world-hopping writer alter ego, Stewart Nusbaumer. The activist and freelance journalist died August 12, according to family members, of health complications likely related to exposure to Agent Orange chemicals, succumbing 49 years after surviving severe wounds as a young Marine in Vietnam. He was 68.

After a long recovery in military hospitals, the native of Delaware who made New York his home devoted his life to exploring the world and writing about the hard questions of humanity’s persistent pattern of unleashing the furies of war while hoping for peace. 

“It's the ‘logic of the gun.’ You get hit and you hit them,” Stewart wrote on his Facebook page last year in response to a news article on the latest of history-laden clashes between Palestinians and Israelis. “If you don't hit back, then you lose. There are all kinds of tactics to do this but the result is always destruction and stalemate. Whine about compassion. Cry about justice. Lambaste and even regret all you want it to stop. But until the war stops it's the ‘logic of the gun.’"

As a ticked off Vietnam veteran, Tom Nusbaumer helped organize protests of the Reagan administration’s wars in Central America. Two decades later, he helped organize Veterans Against the Iraq War to protest the Bush administration’s military actions in the Middle East. As a restless writer, Stewart Nusbaumer founded and edited Intervention Magazine and covered the wars in Afghanistan and Iraq as a freelance journalist. He also lived in China for several years with his daughter, Margel, until he decided she should finish high school in New Jersey. In recent years, he shifted his focus from writing about wars to reviewing films. 

I first met Tom when he helped organize an art show in New York City of works by Vietnam veterans. He was a persistent organizer. Over the years, he drew me deeper and deeper into antiwar campaigns, often well beyond my comfort zone as a journalist working for daily newspapers. As a writer, largely for online publications and magazines, Stewart dug deeper and was more perceptive than most news reporters.

Tom burst in and out of my life like a hurricane. Stewart was a constant midnight goad on the Internet, cajoling me and many others into writing and editing copy—for free—on current affairs for Intervention Magazine of a caliber that drew nearly as many views, Stewart swore, as The Nation. 

My newspaper reporting was better as a result of Stewart’s influence, as well as my poetry.

And my life was better as a result of Tom’s friendship. He pulled me into adventures that, after my wife died, were healing and fun, including staying at his cabin in the Catskills and contemplating life on a forested mountainside. Tom and his wife, Tong, invited me into their life in a Morningside Heights apartment near Columbia University in New York City. Beneath his gruff exterior as a medically retired Marine who trudged through war zones on an artificial leg, Tom was a graduate of Vassar College with walls of books lining his living room.

A selection of his writing can be found at http://stewartnusbaumer.com/cms/index.php
 

Thursday, June 16, 2016

David Keefe: Teaching the Art of Transformation


David Keefe directing Combat Paper class


David Keefe served in the United States Marine Corps in Iraq as a riverine infantry scout from 2006-2007. When he came home from combat duty, he mobilized his leadership skills as a Marine sergeant and his talent as an artist to helping fellow veterans cope with the transition to civilian life through art.

Dave Keefe is the director of the Combat Paper NJ Program at the Printmaking Center of New Jersey, co-founder of Frontline Arts and senior assistant dean for student veteran initiatives at Columbia University. With a master of fine arts degree from Montclair State University and a bachelor of fine arts degree in painting from the University of Delaware, he teaches a course on Combat Papermaking for veterans at Montclair State University.

"Art is one of the best ways to express what exactly is going on in your head and in your heart. It can just be a way to tell stories. And stories can be a catalyst for anything after that, whether it's change or transformation,” he told a writer for the USO-Metropolitan Washington-Baltimore website. The USO sponsors Combat Paper workshops in the Washington, DC area. “We're transforming a certain element here that's a uniform that's the fibers. We're changing from a uniform into paper. That transformative act is a great process of art making."

Thanks to Dave Keefe’s vision, the creative process in these workshops, as many participants can attest, helps provide creative ideas for life transformations.

Selections of David Keefe’s art and work by many of his student-veterans at Montclair State will appear in “Combat Paper & Beyond,” an art exhibition running June 18 through July 9 at the Puffin Cultural Forum, 20 Puffin Way, Teaneck, NJ. The art show grand opening is Saturday, June 18 at 4 pm.

The exhibit explores the vision of the Combat Paper Project through innovative artwork created by veterans and non-veterans. Multi-media work by Eli Wright is featured with additional works by award-winning artists Jim Fallon, Rachel Heberling, Elisabeth Smolarz, Nate Lewis, Frank Wagner, Ron Erikson, Sarah Mess and others.



Wednesday, June 15, 2016

Sarah Mess: Illuminating War's Invisible Wounds



Sarah N. Mess served in the US Army with the 42nd Field Hospital in Mogadishu, Somalia in 1993. Her surgical unit handled mass casualties, hunkered down under rocket attacks, and Mess was pulled from operating room duty on occasion to carry a rifle on convoy security duty amid a UN humanitarian mission that disintegrated into full bore war.

“Coming home, I felt disconnected and invisible,” she told students at a New Jersey middle school during a classroom visit 20 years later. “Combat Paper NJ helps a community of veterans who have experienced these situations. War doesn’t leave you—it haunts you, so this program eases the burden. We all have experiences that we don’t necessarily know how to process.”

One of the first two women to be treated for PTSD at the Lyons NJ VA Combat PTSD unit, Sarah Mess is a mother, wife, Combat Paper maker and Warrior Writer. Her work is featured in Warrior Writers fourth anthology and has appeared in a number of Combat Paper gallery shows in New Jersey and at Haystack Mountain School of Crafts in Maine.

Selections of Sarah Mess’ art work will appear in “Combat Paper & Beyond,” an art exhibition running June 18 through July 9 at the Puffin Cultural Forum, 20 Puffin Way, Teaneck, NJ. The art show grand opening is Saturday, June 18 at 4 pm.

The exhibit explores the vision of the Combat Paper Project through innovative artwork created by veterans and non-veterans. Multi-media work by Eli Wright is featured with additional works by award-winning artists Jim Fallon, David Keefe, Rachel Heberling, Elisabeth Smolarz, Nate Lewis, Frank Wagner, Ron Erikson and others.

Combat Paper art work by Sarah Mess





Monday, June 13, 2016

Frank Wagner: Making Art out of Midnight Memories


Frank Wagner at peace vigil, Teaneck, NJ


Frank Wagner served as a radio operator with a US Army advisory team attached to a South Vietnamese infantry unit in the central Highlands of Viet Nam in 1964-65. He survived combat operations that the US government wouldn't acknowledge for 50 years. He signed up for Vietnam Veterans Against the War at a headshop on Cedar Lane, Teaneck in 1968. He's been an activist ever since.

A Bogota, NJ resident, Frank attended New York Institute of Photography and the School of Visual Arts, 1968-71. An active member of Veterans for Peace, DAV, Secaucus Vet Center art group, Warrior Writers, Combat Paper NJ and the Teaneck Community Chorus, Frank is a photographer, artist and poet.

Frank Wagner's art work has appeared in solo shows at local libraries and in Combat Paper shows in Jersey City, Morristown, Montclair and other locales. His work--ranging from photography to pen and ink drawings to wood carving--has won awards in VA art contests.

Selections of Frank Wagner's work will appear in “Combat Paper & Beyond,” an art exhibition running June 18 through July 9 at the Puffin Cultural Forum, 20 Puffin Way, Teaneck, NJ. The art show grand opening is Saturday, June 18 at 4 pm.

The exhibit explores the vision of the Combat Paper Project through innovative artwork created by veterans and non-veterans. Multi-media work by Eli Wright is featured with additional works by award-winning artists Jim Fallon, David Keefe, Rachel Heberling, Elisabeth Smolarz, Nate Lewis, Ron Erikson and others.


"Eyes" linocut on Combat Paper by Frank Wagner


Thursday, June 9, 2016

Nathan Lewis, Making Art Out of War Debris

Nathan Lewis at work


Nathan Lewis, who served in Iraq in an Army artillery unit, “is a master papermaker and writer, living in the farmland outside Trumansburg [NY]. He is one of the thousands of veterans who report symptoms of PTSD, but Lewis prefers the term ‘war trauma,’ because it’s more accurate,” noted a profile in The Ithaca Voice.

A Combat Paper and Warrior Writers instructor who helps run workshops and retreats from Maine to Virginia, Nate Lewis’ work as an organizer of art, writing and organic farming projects to assist veterans in coping with war trauma has been profiled in The New York Times, as well as in local publications in upstate New York. He is also an author of two collections of his poetry, prose and art that were handmade and published under the imprint of Combat Paper Press. His signature art work incorporates spray painted impressions of bullets, dog tags and other war artifacts.

Selections of Nate Lewis’ work will appear in “Combat Paper & Beyond,” an art exhibition running June 18 through July 9 at the Puffin Cultural Forum, 20 Puffin Way, Teaneck, NJ. The art show grand opening is Saturday, June 18 at 4 pm.

The exhibit explores the vision of the Combat Paper Project through innovative artwork created by veterans and non-veterans. Multi-media work by Eli Wright is featured with additional works by award-winning artists Jim Fallon, David Keefe, Rachel Heberling, Elisabeth Smolarz, Frank Wagner, Ron Erikson and others.


How to Make a Combat Paper Book
Inspired by Chris Arendt’s How to Make Combat Paper

By Nathan Lewis

1. Play Army in the woods
2. Put up F-14 Tomcat Jet-Fighter wallpaper above your bunk bed
3. Agree to a pizza date with the local Army recruiter
4. Graduate high school, watch the planes hit the towers, graduate basic training
5. Mix 1 part nationalism with 1 part college money, stir in ½ baked optimism
6. Train, get desert gear, deploy to Iraq
7. Arrive in Kuwait, breath fumes from oil wells
8. Drive to Baghdad, load munitions onto truck, repeat for 3 months
9. Get flat tires, stares from Iraqis and meet friendly kids
10, Forget to strap down box of hand grenades, take a turn too fast, spill onto busy street, keep driving
11. Take pictures, don’t change clothes, eat meals out of metal pouches
12. Watch traffic accidents, watch the truck in front of you burn,
watch commanders get blown off burning truck by mortar rounds
13. Return home, get drunk, grind kitty litter into oil stains in motorpool, repeat for 3 months
14. Get out of the Army, enroll in college, get a job
15. Think about steps 1-13 often
16. Start writing, in groups, alone, in public, in the basement, repeat for 6 years
17. Read WWI poets, read Vietnam War poets, read Iraq War poets,
become inspired by peers of the past and present
18. Collaborate, Collaborate, Collaborate
19. Start your first book with a poem about shitting in the sand
20. Send book to Harvard and your Grandparents
21. Ask for help, receive it, be grateful, live simple, speak your mind, plant seeds
22. Help others with steps 14-21, feel good again


photos: warriorwriters.org


Tuesday, June 7, 2016

Odyssey of Combat Papermaker Jim Fallon

Jim Fallon

He didn’t set out to be an artist, yet Combat Papermaker Jim Fallon took 1st Place in the 2015 National Veterans Creative Arts Festival, sponsored by the US Department of Veterans Affairs and the American Legion Auxiliary. Entitled "Orphans' Opus '68," the winning work is an image from a photo Fallon took of Vietnamese orphans behind a gate merged with the strings of a grand piano. The silkscreen print is on paper made from Vietnam war uniforms.

Selections of Jim Fallon’s work will appear in “Combat Paper & Beyond,” an art exhibition running June 18 through July 9 at the Puffin Cultural Forum, 20 Puffin Way, Teaneck, NJ. The art show grand opening is Saturday, June 18 at 4 pm.

The exhibit explores the vision of the Combat Paper Project through innovative artwork created by veterans and non-veterans. Multi-media work by Eli Wright is featured with additional works by award-winning artists Jim Fallon, David Keefe, Rachel Heberling, Elisabeth Smolarz, Frank Wagner, Ron Erikson, Nate Lewis and others.

Born in Hoboken, NJ and raised in Jersey City, Fallon is retired and living in Hoboken. He served in Vietnam as a medic in an Army Reserve Medical Field Hospital Unit. During his tour in Vietnam, he also assisted a local orphanage, providing food, toys and extra medical supplies for the children.

He returned home to bartending, playing music in jazz clubs and working as a union representative. For a period of time he owned the Half Note Jazz Club in the Village in NYC. He also lived in Los Angeles, CA for 18 years working as a bartender and union representative. He’s an active member of many veterans’ organizations including Vietnam Veterans Against the War, Veterans for Peace, Secaucus Veterans Center, Combat Paper NJ, Agent Orange Organizations and as a Service Officer for the DAV. Despite a severe arm injury from cancer due to exposure to Agent Orange chemicals, he took up art in a workshop several years ago at the Secaucus Vets Center.

Jim Fallon’s Combat Paper art has appeared in numerous exhibitions, including at the Vietnam Veterans Memorial in Holmdel, NJ, Gloucester County College, Brennan Gallery at the Brennan Court House in Jersey City, Jersey City Art & Studio Tour, and on display as the first place entry in the October 2015 National Veterans Creative Arts Festival in Durham, NC.

"Orphans' Opus '68" by Jim Fallon