"War Comes Home" watercolor by Jan Barry |
Some memory or anniversary or image triggered a nightmare
awhile ago in which I was a Vietnam vet suddenly amid a swirling crowd of
students at Kent State when a Ohio National Guard unit fired rifles to break up
an antiwar demonstration on campus, killing four students, wounding and
scarring many others.
I felt tore apart, physically and emotionally, in this
nightmare—I was being shot at by soldiers wearing the same uniform I wore in Vietnam! Struggling
out of bed, I felt embedded in May 1970. Back then, as news of the Kent
State shootings spread while I was
visiting with stunned and outraged vets at a campus demonstration that closed
down classes at Syracuse
University, I had a panic
attack: my government was out to kill me for protesting the war I served in.
It took weeks this summer to work out the details of that
nightmare in a watercolor. The veteran in the painting is based on Vietnam vets I met or read about who were
students at Kent State at the time of the shooting. The
other images are based on photos that appeared in news publications and now on
Google.
While I was working on this artwork, a nightmarish military
apparition was set upon civil rights demonstrators in the streets of Ferguson, Missouri:
tank-like vehicles back from the wars in Afghanistan
and Iraq,
police units in military combat gear aiming rifles at outraged citizens, tear
gas and stun grenades fired down an American city’s main street and into
residential neighborhoods.
This is another of the horrendous consequences of Uncle Sam’s virtually endless
warmaking—Americans turning on each other, shredding the Bill of Rights and the
rest of the Constitution in a blaze of official self-righteousness.
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